MIDI, Eurorack, ChucK, Pure Data, Max.
Live coding choreography and dance through all means possible. One of the sound artists in Codie. Teaches a lot of Sonic Pi.
Language- and poetry-focused creative computing, often in the context of particular platforms, sometimes in the demoscene and live.
Makes interactive installations, video games, and teaches creative coding to grad students.
Also known as the live coder Colonel Panix. Currently developing libraries and tools to make algorithmic performance more human.
Nerds out over video games and experimental programming languages, and teaches people to do the same at schools around the city.
Brooklyn based artist, musician, educator and programmer. Known sometimes as Messica Arson.
A manic pixel making computer beeps and electronics boops.
Harlem-based semiconductor engineer. Lives for music, art and racing.
A curious nerd in the process of exploring the overlap between computer science and music.
Brooklyn-based artist and programmer. Looking for the answer to What if Malevich, Lichtenstein, and Martin had a baby and this baby learned to code? Graphix with Codie (opens new window).
I make music by programming on-the-fly. I am a new artist wanting to increase exposure to the practice of live coding and looking for performance opportunities to share my music.
Computational designer interested in generative 3d environments.
Artist and programmer obsessed with visualizing what you see when you close your eyes.
Former actor, active coder. Loves live performance of all kinds and makes visual art by programming.
Luke, you’re going to find that many of the truths we cling to depend greatly on our own point of view.
Experimental audiovisual artist. Glitches old and new technologies--ubiquitous to obsolete--to explore their poetic potential, and critique their roles in society.
Trio based in Brooklyn and Virginia. Abstract art, abstract sounds, accumulation. We made a film once. (opens new window)
Nostalgic visuals from a past that probably never actually existed.
A collaborative research-based group consisting of artists, Kengchakaj–เก่งฉกาจ and Nitcha–ณิชชา(เฟม), interested in subversive storytelling using sound and visual archives, researching into historical context, and using multimedia and technology to experiment and explore and define decolonized possibilities.
Messica Arson creates noise inspired beats with live sampled screams.
Two Commodore 64s, a video switch, and some BASIC programming can bring visual poetry alive.
Reckoner+=Matthew is a live performance project exploring interplay between analog and digital improvisation using synthesizers and live coding to create beat music that rests on top of waveforms, probabilities and loop conditions. Reckoner is Sumanth Srinivasan. Matthew is Matthew Kaney.